(I)n the comforting process of tickling the “funny bone” of the masses, the social problem of poverty and other attendant problems are forgotten or laid aside. It’s like giving a sugared chocolate to a malnourished child in tatters. This is tyranny in its most noxious form, a masked expression of treachery.
By AMIRA ALI LIDASAN
Davao Today
For those of you who still haven’t watched the indie film “Thy Womb,” you can come to Zamboanga City and still catch it. Viewers in Manila were complaining last month that they had to comb the metro to find Brillante Mendoza’s movie about a Moro woman from Tawi-Tawi who helped her husband find another wife so that the latter could bear him a child. Filipino viewers are so loyal to Nora Aunor, who plays the female lead character; most of them tried hard to try to stop the film from being pulled out from major cinemas, despite hardly understanding (and accepting) the movie’s theme.
