Special Report: A Life in Pain

Davao By Night (Photo By Barry Ohaylan)

City Hall?s policy on prostituted women, which criminalizes them on the one hand and legalizes them — through the city?s collection of fees — on the other, has been decried for its tendency to victimize these women twice over.

By Jetty Ayop-Ohaylan
davaotoday.com

DAVAO CITY ? At around seven in the evening, the club opens. At eight, Michelle puts on her makeup and slips into the ?dress code? — skimpy underwear with lace trimmings and a pair of sandals with three-inch heels. At nine, as male costumers start coming in, the show begins. The lights become a kaleidoscope of red, orange, blue and green.

On stage, Michelle dances almost nude. She has to dance to three songs and, just like any of other dancers in the club, her performance would become more daring as she removed a piece of what she wears each time a new song begins.

She would end the night either being ?tabled? by customers or taken out to God knows where. Michelle is a ?taxi dancer,? the city?s classification of women like her who are likewise engaged in prostitution.

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Of Strokes, Figs and Canvases

Even the uninitiated can tell if a work of art was done by someone from Mindanao or who has been influenced by the island’s peoples, culture and the strife. You can sense this in the strokes, in the medium, in the subjects.

In this issue of davaotoday.com, five visual artists who all hailed from Mindanao share their passion for the arts and for Mindanao. Some of them are fresh out of college while others have been around since the ?70s. Through their craft and their vision ? of the people, of nature, of revolution, to name a few — they depict not only their world but ours.

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