The problematic portrayal of the working class in the films Triangle of Sadness, Nocebo

As we take pride in the stellar performances of De Leon and Fonacier in these films, we might as well contemplate our representation as workers from the Global South.

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The Work of a Master in Boy Hernani’s Images

Unassuming in all his simplicity, I have known Medel Hernani whom we have fondly called “Boy” as the light-footed and quick photographer of the Development Education Media Services Foundations (DEMS) in the early eighties, whose work not only involved capturing images during Martial Law, the height of protest actions in Davao.

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